Hildegart Rodríguez

Madrid, 1914-1933
Hildegart Rodríguez was a child prodigy, writer, lawyer and sexual reformer. She was murdered by her mother two years into the Spanish Second Republic. In those years she created the Spanish League for Sexual Reform, a eugenic project. She wrote letters about the League to Havelock Ellis, the father of modern sexology. The League disappeared after her death, but Hildegart's books and articles remain important to study women's history in the first decades of the twentieth century.

Hello...

I am read and I am heard even though I am only 16 years old.
Hildegart writes to Havelock Ellis, the father of sexology. She asks him to be her intellectual father. She needs a male mentor who will endorse her in an intellectual world which belongs to men. That father must see a reformist leader in her, with a change project that will inspire a better Spain. Since birth, Hildegart was destined to be the most modern of modern women. She was educated to be a precocious and attentive social observer.
I am a daughter of eugenics, I was responsibly conceived.
Hildegart wants to go far. She wants to regenerate the world she lives in and wants a sexual reform. That is her mission. To fulfil that mission, she has gone beyond the intellectual and geographical borders of Madrid, beyond the patriotic intellectual circles where she isn’t taken very seriously. Her ringlets are more disruptive than her controversial sexual revolution.
My stance is entirely revolutionary.
Hildegart thinks that old men cannot regenerate the homeland. The Republic must belong to the young and she must become the leader of a new, so far utopian, Spain. She reads, she studies, she wants to be ready to lead a sexual revolution. This was her life project.
Some call me the ‘red virgin’, others ‘nature’s greatest creation’.
Healthy, strong and engaged, in a few weeks she will die, killed by her own mother. She knew nothing whilst she wrote to her teacher and strove to overcome obstacles, hoping to work with some authority. The political reform that she so believed in would fail. Her writing and her projects disappeared quickly after her assassination. In a few years the modern women who speaks to us in each ‘cartavivas’ entry will disappear too. Hildegart’s life came to an end. The war in Spain and Europe would, on the other hand, start soon.

Credits

A Project by University of Exeter, University of Barcelona and Santander Fundación

Actress:
Sandra Escacena
Source:
Spanish Collections, British Library, London
Written and Directed by:
Paula Ortiz & Nuria Capdevila-Argüelles
Technical Director:
Sergio Villanueva Baselga
Production:
Nuria Capdevila-Argüelles
Director of Photography:
Pedro Valero
Set Manager:
Jordi Capella
Costume Designer:
Arantxa Ezquerro
Graphic Design and illustrations:
Jesús Bosqued
Calligraphy:
Ana Rosés
Hair and MakeUp artist:
Lavicky
Post Production Coordinator and Supervisor:
Jaume-E. Vilaseca
University-level Coordination:
Lydia Sánchez Gómez
CAV UB Students
Assistants to Director:
Iria Louzao, Laia Martín
Production Assistants:
Cristina Espinosa, Bárbara Prohens
Camera Assistant:
Edgar Ortiz
Set Internship:
Joana Fornós Bo
Costumes Assistant:
Marisa Montoya
Boom Operator:
Marc Vilalta
Sound design:
Marc Vilalta
Electricians:
Gadea Arce, Dani Molina
Editing:
Xan Costa
Composition:
Eva Gómez
Sound:
Marc Vilalta
Editing:
Roberto Barros
Making of:
Fran Novo, Víctor Bañeras, Marc Villafranca
Stills Photographer:
Jorge Franganillo
University of Exeter students
Subtitles:
Cartaviva 1
Molly Smith
Cartaviva 2 & 3
Elena Browning
Cartaviva 4
Hannah Cumpson